Today I want to talk about rap, and hip hop. It’s a subject close to my heart as I spent the best part of two decades being bombarded with it in Brixton. It’s wild and crazy and the really good stuff blows most everything else into the weeds. It’s funny, prescient, ballsy and haunting. I don’t dance, dancing makes most people feel free, it makes me feel a bit silly, it’s just one of those unfortunate things. If tapping my toes and waggling my head only counted as dancing, but I don’t think it does. For this reason I haven’t started out talking about beats.
If you don’t mention the beats, however, it’s like ignoring Italy because you don’t like ice cream, which I don’t, but that’s neither here nor there. Rhythm is the primary mood and scene setter here and some pieces are pared right back musically, giving greater emphasis to the notes that are left. I think of Missy Elliot's Get Your Freak On (2001 Goldmind/Electra), that nutty pizzicato koto thing swept up and down Coldharbour Lane all summer, in a variety of remixes, and it's so catchy it probably still does.
One of my favourite albums is Let’s Get Free by Dead Prez (2000, Loud Records). When you get down to it, it’s got a bit of a right wing black supremacist thing going on, in parts, which I can’t really relate to. Despite this I do sing along to, “I’m a African, I’m a African...and I know what’s happenin’”. If where you’re born is where you’re from, I feel I have every right to do this. Again, it’s probably like my dancing and not really within the accepted definition but this CD stays in my changer when all the others have been replaced twice over. These guys have the courage of their convictions, you can't fault that.
This reminds me of a ridiculous situation I found myself in the newsagent over the road one day. An old drunk Jamaican slammed a hand on the counter as I walked in and shouted, "Drink, Babylon!" at the Bangladeshi proprietor. It was an attempt to intimidate a free bottle of stout out of the guy, who wasn't going to take it. They were still cussing each other out as tried to buy some skins: "You hook up wid de white man Babylon," the rant went on, and then he turned on me, "Africa, Babylon, Africaaaa!" I could feel drops of his spittle on my arm as I handed over the money.
"Yes, Africa," I croaked, throat tight with fear and anger. "Like where I'm from. Africaaa! Have you ever been to Africa old man?" He blinked his rheumy eyes as he summoned up some reserve anger. I left without looking back. You've got to let it go to get free.
Flick forward to 2011 and Wiz Khalifa’s Rolling Papers (Atlantic & Rostrum); I bought this CD because I really liked the trippy retro keyboard sounds and, yes, the beats. The more I listened to the lyrics, however, the less I liked it. He’s really letting himself down banging on about his millions and when he isn’t drinking Crystal in the proverbial club, watching alla his bitches turn they ass out, he really could do with sitting down and thinking about the rest of life, such as what he could do for his less fortunate homies who is still on the block. But that’s just my opinion.
This is the flaw in the diamond; misogyny, egotism, an overt fixation on material wealth. Dead Prez may wanna fuck the system but these guys look more and more like a system that’s set to fuck its own and everyone else besides. I guess Wiz's peeps are no longer opressed, which is a good thing, but I dislike the broadcast view of his fortune. For example, I've rarely felt more ripped off or discriminated against than in a nightclub - I wonder if the irony of the VIP section is lost on him.
But the point is if you ain’t no nigga and don’t know how, or indeed, if, you’re going to be allowed to be part of the crew, this may impact your enjoyment at least of the lyrical content. Feeling a bit left out, for a while I bought into white UK rap such as Skinnyman, Biro Funk, Plan B, Jhest and so forth. This helped some but you end up missing the outrageous production of the top guys, like Dr Dre. To be fair, the best rappers don’t need to use the most obvious of sticks to beat the oppressor with and race doesn't really cut it anymore. It's bad versus good and it ain't black and white.

I’m not putting Dead Prez down here, I think their thing is getting history rewritten right and white power is always going to get pretty good going over in this context.
The spares for the Black Bullet have arrived making Hitchcocks the most reliable spares department I've ever used - thanks guys. Even so, I should unpack them and compare them to the bits on the bike, before we go - next week!
